Partitions Numériques de COR Modern classical pour Clarinette Basse

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COR Modern classical
Non classifié 263

Piano & claviers
Piano seul 440
Piano, Voix 38
Orgue 32
Piano Facile 31
Piano, Voix et Guitare 18

1 Piano, 4 mains 7
2 Pianos, 4 mains 6
Piano Trio: piano, violon, violoncelle 5
Piano Quatuor: piano, violon, alto, violoncelle 2
Clavecin 2
Instruments en Do 2
1 Piano, 6 mains 1

+ 7 instrumentations

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Guitares
Guitare 44
Guitare notes et tablatures 44
Ukulele 19
Banjo 3
2 Guitares (duo) 3

Ensemble de guitares 2
Guitare Pedal Steel 1
Ukulele Baryton 1
4 Guitares (Quatuor) 1
Basse electrique 1
Guitare, Violon, Violoncelle (trio) 1

+ 6 instrumentations

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Voix
Chorale SATB 30
Chorale 3 parties 11
Chorale Unison 4
Voix duo 3
Chorale 2 parties 2

Chorale SSAA 2
Voix seule 1

+ 2 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 27
Clarinette et Piano 18
2 Flûtes traversières (duo) 16
2 Clarinettes (duo) 14
Flûte traversière et Piano 13

Hautbois, Piano (duo) 12
Quatuor de Saxophones: 4 saxophones 12
Saxophone Alto et Piano 10
2 Saxophones (duo) 8
Quatuor de Clarinettes: 4 clarinettes 6
Saxophone Soprano et Piano 5
Quatuor de Flûtes à bec 5
Flûte, Hautbois, Clarinette, Basson 5
Clarinette 4
Saxophone Tenor et Piano 4
Quintette de Saxophone: 5 saxophones 4
Flûte et Guitare 4
Flûte traversière 3
Flûte, Clarinette, Piano (trio) 3
Quatuor de Flûtes : 4 flûtes 3
Hautbois, Clarinette, Basson (trio d'anches) 2
Clarinette, Guitare (duo) 2
Ensemble de Clarinettes 2
Ensemble de Flûtes 2
Flûte à Bec 1
2 Cors Anglais Et Pianoforte 1
Flûte, Violoncelle 1
Quintette de Clarinettes: 5 clarinettes 1
Clarinette Basse 1

Trio de Flûtes: 3 flûtes 1
Hautbois 1
Flute (partie séparée) 1
Flûte, Violon 1
Flûte à bec Soprano 1
5 Flûtes à bec 1
Hautbois, Clarinette (duo) 1
Saxophone Alto 1
Clarinette Basse, Piano 1
Flûte, Violon et Violoncelle 1
3 Clarinettes (trio) 1
2 Hautbois (duo) 1

+ 36 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 16
Quatuor de Cuivres : 2 trompettes, trombone, tuba 5
2 Trompettes (duo) 5
Cor et Piano 4
Trio de Cuivres 4

Quatuor de cuivres: 4 cors 3
Quatuor de cuivres: 4 trombones 3
Trompette 3
2 Trombones (duo) 3
2 Tubas (duo) 3
2 Euphoniums (duo) 2
Trombone et Piano 2
2 Cors (duo) 2
2 Euphoniums et 2 Tubas 2
Trompette, Piano 2
2 Cors Anglais Et Pianoforte 1
Trombone 1
3 Trompettes (trio) 1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib 1
Cor 1
Ensemble de Trompettes 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Tuba et Piano 1
Quatuor de cuivres: 4 trompettes 1
Ensemble de Trombones 1
Euphonium Ou Saxhorn Et Piano 1

+ 21 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 85
Violoncelle, Piano 33
Violon et Piano 19
Quintette à cordes: 2 violons, alto, violoncelle, basse 10
Alto, Piano 7

Trio à Cordes: violon, alto, violoncelle 7
Harpe 6
2 Violoncelles (duo) 5
Violon 5
Violoncelle (partie séparée) 4
Trio à cordes 3
Contrebasse, Piano (duo) 3
Trio à Cordes: 3 violoncelles 3
2 Contrebasses (duo) 3
2 Violons (duo) 2
Violon, Violoncelle (duo) 2
Violoncelle 2
Alto (partie séparée) 1
Contre Basse 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Contrebasse (partie séparée) 1
4 Violoncelles 1
Ensemble de Violoncelles 1
Quatuor à cordes: 4 violons 1
Violon, Guitare (duo) 1
Violon, Alto (duo) 1

+ 21 instrumentations

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Percussions & orchestre
Orchestre 57
Orchestre d'harmonie 32
Orchestre à Cordes 22
Orchestre de chambre 19
Ensemble de cuivres 9

Marimba 4
Ensemble de Percussions 3
Ensemble Jazz 3
Instrumentation Flexible 2
Caisse Claire 1
Percussion 1
Quintette à Vent 1
Batterie 1
Timbales 1

+ 9 instrumentations

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COR Modern classical

Clarinette Basse

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Saint-Saëns: The Swan for Bass Clarinet & Piano

Saint-Saëns: The Swan for Bass Clarinet & Piano #Clarinette Basse #INTERMÉDIAIRE #Classique #Camille Saint-Saens #James M #Saint-Saëns: The Swan for #jmsgu3 #SheetMusicPlus

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...(+)

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.

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